Nick Stringfellow
Vivaldi - The Four Seasons |
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ORCHESTRA OF THE SWAN David Curtis conductor This DVD offers a brilliant opportunity to see the orchestra in action. We recorded this in a live late night session in Warwick Castle. Dave le Page's "Four Seasons" is fiery and exciting as always (we must have performed this piece together at least 30 times over the years!) The DVD also features my old friend Steven Devine on harpsichord. |
The Four Seasons in performance from Warwick Castle Spring
Summer
Autumn
Winter
L'Estro Armonico, Op3 No8
DIGITALIS DIG 1623 [52’] |
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Mozart - Piano Concertos |
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MARK BEBBINGTON - piano Orchestra of the Swan The orchestra’s latest recording is already receiving rave reviews. I’m really pleased with the way the cellos and bass sound, smooth and powerful with lots of exciting phrasing. Mark Bebbington floats elegantly on top with some beautiful playing. We recorded this in the Pump Rooms in Cheltenham (the scene of many an exciting Swan evening during our residency there) which lends its wonderful acoustics to the recording. |
Piano Concerto No.11 in F major, KV.413 Piano Concerto No.12 in A major, KV.414 Piano Concerto No.13 in C major, KV.415 Under the direction of Artistic Director David Curtis, Orchestra of the Swan has achieved national recognition for outstanding performances, innovative programming and an accessible style of presentation. Orchestra of the Swan performs with passion and is highly respected for its commitment to new music. The critical acclaim which has greeted Mark Bebbington’s recent performances and recordings has singled him out as a young British pianist of the rarest refinement and maturity. He has recorded extensively for SOMM Recordings to unanimous critical acclaim. “…a revelation is Bebbington’s finely weighted and beautifully manicured playing, where runs and scale passages sparkle like rows of polished beads.” “ With this delectably performed and well engineered recording he (Bebbington) is well set to enter the mainstream CD market.” David Hart. Birmingham Post May 8th 2007 Somm SOMM066 [78’07"] |
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Mahler - Symphony No. 8 in E flat |
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It seemed only right that Simon Rattle should complete his cycle of Mahler symphonies by “ coming home” to Birmingham’s Symphony Hall and the CBSO. It was a real pleasure to be invited to join the cello section for this project and the result is fantastic! The scale of this symphony is awesome and EMI’s recording conveys this dramatically. We performed this on two nights in Symphony Hall to a capacity audience. The atmosphere was electric, you could feel a real warmth from the crowd, excited by Rattle’s return. EMI took both performances live with additional recording sessions later in the week. |
Sir Simon Rattle conductor " Fire and energy explode
from the very first bar; carrying us forward with mounting tension...
The soloists, topped by Christine Brewer, Soile Isokoski
and Jon Villars, pierce and soar most beautifully..." " Rattle fizzes through this mighty work with relentless energy,
drive and narrative tension...Rattle's version will delight his huge
following
and enthrall Mahlerians." " [Rattle] grabs his cohorts by the scruff of the neck, summoning
wonderful orchestral playing, roars from the magnificent Symphony Organ,
evocative
bell sounds and vital, exultant singing from his choral forces." EMI CLASSICS 7243 5 57945 2 9 [77’38"] |
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BAROQUE AROUND THE WORLD SERIES |
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Schott’s “Baroque around the World” is a series of sheet music publications with accompanying CD. Each collection contains around 16 short pieces of music from the 18th Century. These are designed for intermediate level players with parts for Violin (Flute or Oboe), Keyboard and Cello (Basson). We have just recorded our 6th Baroque around the World album. Each one was recorded at Trinity Studios in Greenwich by Simon Weir and Morgan Roberts of the Classical Recording Company. I worked with Simon back in August 2000 on the London Mozart Ensemble CD and it has been brilliant to have him producing this series. The sessions are always a lot of fun and the whole process feels very creative. Jeremy Barlow’s editions are great and there is generally space for new interpretation and improvisation by the players. We have a representative from Schott in the control room making note of any embellishments that creep in during the takes so that these can be reflected in the score. Each CD contains complete performances of all the pieces and a play-along track with just the accompaniment for the student to work with. |
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English Airs and Dances |
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Sharon Lindo – violin |
16 easy to intermediate pieces for violin (flute or oboe), keyboard and optional cello (bassoon). From 18th-century England, the collection includes country dances, Cheshire rounds, hornpipes and pantomime tunes, plus examples of the march, minuet, siciliana, gavotte and jig. Featured composers include Arne, Earl of Abingdon, Hebden, Holcombe, Linley, Roseingrave, Stanley, Thackray. Anon.: Portsmouth ISMN: M-2201-2391-7 |
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Vaudeville et Menuet |
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Sharon Lindo – violin |
16 easy to intermediate pieces from 18th-century France for violin (flute or oboe), keyboard and optional cello (bassoon). These popular airs and dances, by composers such as Boismortier, Chédeville, Destouches, Grétry, Marais, Montéclair and Mondonville, derive from the court, countryside and theatre. M. Marais: Marche pour les matelots ISMN: M-2201-2392-4 |
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Tune up the fiddle! |
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Sharon Lindo – violin |
16 easy to intermediate pieces from 18th-century Sweden. The collection, for violin (flute or oboe), keyboard and optional cello (bassoon), includes airs and dances by Roman, Agrell, Kraus, Wikmanson, Bellman. J. H. Roman: Allegro ISMN: M-2201-2393-1 |
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4 Scottish Sonatas |
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John Trusler – violin |
This book invites you to explore exciting new repertoire by Scotland’s Baroque composers: Oswald, Reid, McGibbon and Mackintosh! This collection includes the first modern edition of Mackintosh’s G minor Sonata. These pieces are ideal for auditions and exams as well as concerts and can be performed as whole sonatas or single movements. The accompaniments are simple and effective; the instrumentation is flexible – suitable for violin or flute and cello or bassoon, plus keyboard. The sonatas are newly researched by the Scottish musicologist David Johnson. The CD includes complete performances as well as play-along tracks. Preface ISMN: M-2201-2554-6 |
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Allegro, Adagio e Follia |
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John Trusler – violin |
This new addition to the ‘Baroque
Around the World’ series contains a wide range of tuneful pieces
from the Italian Baroque, edited by Roberto De Caro from leading Italian
publisher Ut Orpheus Edizioni. The pieces offer a variety of technical
challenges for intermediate-level students. These attractive pieces may
also be enjoyed by more advanced players, and ideally suitable as performance
material. Preface ISMN: M-2201-2592-8 |
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Dear Harp of my Country - Thomas Moore’s Irish
Melodies |
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JOHN KERR – tenor Released in 2001, “Dear Harp of my Country” is a lasting reminder of the beautiful and majestic voice of the late John Kerr. As a tenor with the Royal Opera, Covent Garden since 1974, John was a wonderful performer. He delighted audiences in his many recitals at Finchcocks, Goudhurst where he was guest artist and general celebrity! This CD was recorded at Finchcocks by Chris Thorpe and produced by Michael Fields. I really enjoyed the sessions, it was lovely to be recording in the middle of the Kent countryside. I remember laughing constantly as John entertained us with his many stories. Price - £10.00 |
Come send round the wine Carolan’s Concerto The harp that once through Tara’s halls Rich and rare were the gems It is not the tear at this moment shed The meeting of the waters The Pleasant Rocks When in death I shall calm recline The minstrel boy Believe me, if all those endearing young charms The Beardless Boy Drink to her who long While gazing on the moon’s light Oh, ‘tis sweet to think The Snowy Breasted Pearl Oh blame not the bard Avenging and bright Here we dwell in holiest bowers Planxty Drury The last rose of summer Oh breathe not his name The valley lay smiling before me Captain Magin You remember Ellen Come o’er the sea Fill the bumper fair Planxty Johnson Dear harp of my country SERENDIPITY SERCD 2900 [76’30"] |
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“Mozart” |
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EMMA ALEXANDRA – clarinet This collection of Mozart favourites was recorded in August 2000 at Bedales School, Hampshire. The theatre there is almost completely lined with oak and has a fantastic acoustic. These sessions marked the beginning of an important musical relationship with violinist David Le Page with whom I now work at Orchestra of the Swan. This was also the first time I met Simon Weir and Morgan Roberts. The playing on this recording is really fresh with loads of energy. After we cut the CD, we toured this programme throughout the UK. The audiences were brilliant and every concert was even more exciting than the last which is a real testament to such fantastic music. Price - £10.00 |
Quintet in A major
Clarinet Concerto: Adagio Eine Kleine Nachtmusik
Divertimento K136
Producer: Simon Weir CLASSICAL RECORDING COMPANY CRC1016-2 [73’45"] |
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Caledonia in the Drawing Room |
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Claire Nelson – violin with Clint van der Linde – alto, Mark Radcliffe – oboe, and Dorothea Vogel – viola We recorded this interesting album of sonatas back in the late nineties on original instruments. These pieces were selected for the disc because they each incorporate a Scottish air as their theme or as one of the movements. The recording took place over four days in a big old house in Kew, London. It is worth owning a copy of this simply to view the embarrassing photo of Steven and I inside the booklet! Price - £10.00 |
Sonata No.4 in D major by Ignace Joseph Pleyel (1757-1831)
Sonata No.1 in G major by Francois-Hippolyte Barthelemon (1741-1808)
The Braes of Ballanden in E flat major by Johann Christian Bach (1735-1782)
Sonata No.2 in A major by Leopold Anton Kozeluch (1747-1818)
Sonata No.2 in D major by Jan Ladislav Dussek (1760-1812)
Producer: Kathy Burgess APOLLOCD001 [67’34"] |
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